Surfing Cyclone Ului on the 7D

Need an iPhone friendly link? Here ya go!

Want to see it in 1080P? Here ya go!

So at last I got around to chopping up the footage from last weekend’s semi-large storm swell and here it is! I must say it turned out better than I thought, mostly due to the surfing and acting talents of my good friend, Greg Weatherall.

Turns out he is a bit of gun surfer! In his brothers’ words “He’s a big unit! I’ve seen him smack the lip and just destroy waves! I mean look at him, he’s huge!” I’d have to agree, he is a big unit and yes he does tend to leave quite a wake in his passage. Despite not finding the 12 foot waves he was hoping for he still had a lovely time and turned it on for the camera!

Going into this shoot, I kind of had an idea what I wanted to capture. The usual spectator love that goes with these kinds of swells (Since every man and his dog wants a slice of the action), some good surfing and hopefully some nice footage for an intro, with Greg getting ready and all that kind of stuff.

I must admit the intro stuff wasn’t just off the cuff, I did wear my Directors hat for that, but hey, you got to set the scene right? Lucky for me, Greg is a good sport and was willing to indulge my shot-wankery, instead of just charging off into the surf with a devil may care attitude like every other pro surfer! :)

I started with the getting ready footage. The Sigma 30mm f1.4 and Canon 50mm f1.8 II really worked well here. I love these lenses, the bokeh is nice to play with and the quick glimpses gives you just enough to see what’s going on. We started off out at the furthest point break using Greg’s Canon 400mm f2.8. I must say, I was so excited to use this lens and my lord it is a lovely piece of kit, but man it is just so unwieldy it really didn’t lend itself to the way I like to shoot. Encumbered by my camera bag, my tripod, the glidetrack and the 400mm (in it’s own backpack, it’s that bloody big!) it was just such a pain in the butt moving around that I probably missed a tonne of great shots because I couldn’t spare the time to be moving around the rocks with all the gear. An assistant would have been invaluable, but as if that’s going to happen for this kind of shoot. So whilst the image is outstanding, and the extra stops really helped as the light fell, I don’t think I’ll be saving my pennies for this one.

I finished off the evening by pulling out the trusty Tokina 11-16 f2.8 and my Hyongnuo Intervalometer (Which has a dinky screen! Beware!) and grabbed 150 shots to whack together into a time lapse. 150 seems good to me and works out to be a 6 second shot. I’m not usually one for hanging on shots, but the music in this track really lent itself well to that.

At 6am the next morning. . .well you know the story from the previous post. . .very disappointing. . .nowhere near the predicted swell. . .sad faces all round.

I had learnt my lesson the day before though and left the Canon 400mm 2.8 in the car, waved goodbye to the Glidetrack and travelled light and swift with my camera bag with all my lenses in it and the tripod. Ahhhh! Much better! I did however borrow Greg’s 1.4X extender and found it worked quite well on my Canon 100-400 f4-5.6L. The 1.4X coupled with the 1.6X Crop factor was really quite nice. Sadly shooting wide open (at f8) was not really an option, as it was just too soft. I found to get anywhere near a sharp image I had to be shooting at around f11-f13, f13 seemed to be the sharpest.

You’ll notice that the footage looks radically different in places, there was bright sunshine, overcast skies, dim dusk shooting, sunset shooting, man I got it all. I was really hoping it was just going to be grey and overcast and look a little menacing, sadly that wasn’t the case. The colours in this clip are pretty much straight out of the camera. Just a couple of shots had to be corrected for contrast as the 400mm and the extender had left them a little washy at times. I think one day I might do a graded version of this clip just as a test, but today is definitely not that day! :)

What do I think makes this clip? Seriously, it’s got to be the song! It’s just great! I’ve been listening to it all week and funnily enough, it’s another track of that Gui Boratto Mix Collection on Renaissance. That compilation has been getting a hiding on lately! It’s just too good! The song itself is by Bomb the Bass and it’s called ‘The Infinites (Featuring Paul Conboy and Gui Boratto)”. Great album, you should definitely check it out!

So that was the weekend that was. . .Not what we’d hoped for, but now having cut it all up, not a total disaster either. Could it be better, of course! Will it be better next time? You bet! Let’s just hope we don’t have to wish too big of a tropical cyclone upon the Pacific islands to get the shots we want! :)

That’s it for now! It’s way past clock off time! Managed to get down to the Mooloolaba stop of the Triathlon World Cup today, hopefully will get some time to cut that this week.

Until then. . .stay classy! :)

Share

10 comments to Surfing Cyclone Ului on the 7D

  • Love it!
    The two timelapse with dolly tracks look really good!

  • Christian, how hard was that to shoot surfing footage with sun in, sun out and to luck out on the same wave, exposure argggggh only got two hands. I got the same surfers but looking down on them from top of the rocks.

    What shutter speed did you shoot the 720p 50fps in? Looks like 1/100.

    The 7D handled the mass of white water ok ay, always difficult to do.
    Nice vid.

    Cheers Rambo

    • Christian

      I know! It was nuts, hey?! Definitely keeps you on your toes!

      I was shooting the surfing at 1/125 I think, since I wasn’t chasing depth so much as clarity (at f11-f13) I had to keep my shutter speed a bit slower. I don’t mind it so much, I used to shoot alot of wakeboarding at 1/120 on the HVX just because it looked nice to me at 50P. Same thing here pretty much. I definitely think some variable ND love is on the cards thought, I want to have my cake and eat it too! :)

  • Dave

    Favourite DSLR shot at the moment is that great slider-reveal from the rock, that was awsome and full of anticipation. Shame about the weird clipping at the end, looks like an exposure pull and the whites go flat.

    The timelapse really was worth it. Get yourself a little Canon PS and CHDK intravolometer scripting magic, for set and forget timelapse overlay. The power of some of the script functions are remarkable. http://chdk.wikia.com/wiki/CHDK HDR timelapses, lightning triggered timelapse you name it. Anyway great job, one to be proud of.

  • kuzbax

    Warm greetings from the philippines. I am in the process of getting a dslr to shoot vids documenting the idyllic surf life in our islands. Perhaps you can help me as i am still learning to shoot video.

    For the topmost vid: at the 0.36 second mark. The shot with the surfer holding the surfboard looking out at the waves (the background has a lovely bokeh of surfers). What lens did u use? What was your shutter speed, aperture, and fps? The water bursting into spray seems so clear nad dramatic. Everytime I attempt shots like these, my videos look like, well, video…rather than the “film” look that you achieve.

    At the 1:02 mark. What lens did you use? Also what shutter speed and aperture setting?

    At the 2:18 mark. What lens did you use. And what were the fps and shutter settings and aperture settings as well?

    At the 3:o4 mark. What lens did you use to shoot the surfers. Also what were your camera settings? shutter speed, fps, iso-settings, aperture settings.

    many thanks for the amazing vid.

    • Christian

      Hey Mate,

      Most of the information you’re chasing is in the post above! :) Lenses, Shutter speeds etc. . .

      But a word of advice. . .camera settings don’t make the shot. Somebodies camera settings aren’t the magic solution to good images. Practice makes perfect. Get out and shoot stuff, experiment with your camera settings, talk into the camera as you shoot, saying your settings out loud, study and compare your results when you get back to the edit suite. It’s the best way to find out what you like the look of and what works.

      This was so long ago now, I can’t really remember the specifics. . .The only wide lens I had at the time was the Tokina mentioned in the post.

      When you get your DSLR, you’ll see how easy it really is to achieve a nice look. . .check back in and show us how you’re going! :) Would love to see some surf stuff from the Philippines!

      Christian

  • kuzbax

    thank you christian

    I know the 7d and 60d/550d have a 1.6X crop for stills/photos. But is that the same when shooting videos? Or is it a 1-to-1 crop factor for videos. I tested a 7d over the weekend and while in video mode the view finder appeared to zoom into the image while the lcd screen appeared to cover a wider angle…

  • Christian

    Both video and photo’s are subject to the Field of View Crop Factor.

    Some cameras don’t have a 100% viewfinder, meaning the viewfinder image is cropped a little. Although advertised at being 100%, the viewfinder in the 7D, does crop the image a small amount, not anything that could be mistaken for a 1.6X crop though.

Leave a Reply

 

 

 

You can use these HTML tags

<a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>