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	<title>Comments on: Riders on the Storm on the 7D</title>
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	<description>HD Video, Photography, Video camera&#039;s, DSLR Film making and Post Production - By Christian Fitzpatrick.</description>
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		<title>By: Christian</title>
		<link>http://www.highdefedition.com/2010/02/riders-on-the-storm-on-the-7d/comment-page-1/#comment-304</link>
		<dc:creator>Christian</dc:creator>
		<pubDate>Sat, 13 Mar 2010 06:48:09 +0000</pubDate>
		<guid isPermaLink="false">http://www.highdefedition.com/?p=404#comment-304</guid>
		<description>Hey Dave,

I don&#039;t know mate, I haven&#039;t tried it vertically. I suppose you could, but when the load isn&#039;t balanced evenly over the base plate, it doesn&#039;t slide so well. So you would really have to nurse it and I think it could be a bit of a pain in the A.

Christian</description>
		<content:encoded><![CDATA[<p>Hey Dave,</p>
<p>I don&#8217;t know mate, I haven&#8217;t tried it vertically. I suppose you could, but when the load isn&#8217;t balanced evenly over the base plate, it doesn&#8217;t slide so well. So you would really have to nurse it and I think it could be a bit of a pain in the A.</p>
<p>Christian</p>
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		<title>By: Dave</title>
		<link>http://www.highdefedition.com/2010/02/riders-on-the-storm-on-the-7d/comment-page-1/#comment-302</link>
		<dc:creator>Dave</dc:creator>
		<pubDate>Fri, 05 Mar 2010 14:07:49 +0000</pubDate>
		<guid isPermaLink="false">http://www.highdefedition.com/?p=404#comment-302</guid>
		<description>Can you use the slide for a vertical track/jib shot?</description>
		<content:encoded><![CDATA[<p>Can you use the slide for a vertical track/jib shot?</p>
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		<title>By: Tweets that mention Riders on the Storm on the 7D « High Def Edition – HD Video, DSLR Filmmaking, Cinematography and Photography -- Topsy.com</title>
		<link>http://www.highdefedition.com/2010/02/riders-on-the-storm-on-the-7d/comment-page-1/#comment-289</link>
		<dc:creator>Tweets that mention Riders on the Storm on the 7D « High Def Edition – HD Video, DSLR Filmmaking, Cinematography and Photography -- Topsy.com</dc:creator>
		<pubDate>Thu, 04 Feb 2010 18:15:31 +0000</pubDate>
		<guid isPermaLink="false">http://www.highdefedition.com/?p=404#comment-289</guid>
		<description>[...] This post was mentioned on Twitter by Canon Australia and High Def Edition, High Def Edition. High Def Edition said: New Blog Post: Riders on the Storm on the 7D http://www.highdefedition.com/2010/02/riders-on-the-storm-on-the-7d/ [...]</description>
		<content:encoded><![CDATA[<p>[...] This post was mentioned on Twitter by Canon Australia and High Def Edition, High Def Edition. High Def Edition said: New Blog Post: Riders on the Storm on the 7D <a href="http://www.highdefedition.com/2010/02/riders-on-the-storm-on-the-7d/" rel="nofollow">http://www.highdefedition.com/2010/02/riders-on-the-storm-on-the-7d/</a> [...]</p>
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		<title>By: Dave</title>
		<link>http://www.highdefedition.com/2010/02/riders-on-the-storm-on-the-7d/comment-page-1/#comment-288</link>
		<dc:creator>Dave</dc:creator>
		<pubDate>Wed, 03 Feb 2010 13:37:29 +0000</pubDate>
		<guid isPermaLink="false">http://www.highdefedition.com/?p=404#comment-288</guid>
		<description>I dont get it, If the input media is progressive it shouldnt matter that it gets interlaced later. Also there doesnt seem to be a format called 1080p, do you cut 720p or 1080i?
When slomo-ing the footage the fields shouldnt be greatly different (it is progressively scanned between frames rather than fields) so I dont understand where the banding comes from.

I havent had any slomo errors on FCP before but havent had a lot of progressive either. Could there be a field dominance issue at FCp end? Have you tried the field shift effect (sometimes it gets applied automatically for no reason) this can be creating field sampling errors too.</description>
		<content:encoded><![CDATA[<p>I dont get it, If the input media is progressive it shouldnt matter that it gets interlaced later. Also there doesnt seem to be a format called 1080p, do you cut 720p or 1080i?<br />
When slomo-ing the footage the fields shouldnt be greatly different (it is progressively scanned between frames rather than fields) so I dont understand where the banding comes from.</p>
<p>I havent had any slomo errors on FCP before but havent had a lot of progressive either. Could there be a field dominance issue at FCp end? Have you tried the field shift effect (sometimes it gets applied automatically for no reason) this can be creating field sampling errors too.</p>
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		<title>By: Christian</title>
		<link>http://www.highdefedition.com/2010/02/riders-on-the-storm-on-the-7d/comment-page-1/#comment-287</link>
		<dc:creator>Christian</dc:creator>
		<pubDate>Wed, 03 Feb 2010 13:19:39 +0000</pubDate>
		<guid isPermaLink="false">http://www.highdefedition.com/?p=404#comment-287</guid>
		<description>Hey David,

Cheers for the feedback mate! :) Yeah, still getting that Glidtrack sussed. I&#039;m looking more for a really subtle effect that adds depth, instead of the constant, glaringly obvious, OOF foreground parallax motion thing. It can get a bit samey, ya&#039;know?

I transcode all my footage using MPEG Streamclip before I edit, that&#039;s where it becomes an interlaced stream. Still haven&#039;t found a way around it. :(

Christian</description>
		<content:encoded><![CDATA[<p>Hey David,</p>
<p>Cheers for the feedback mate! <img src='http://www.highdefedition.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' />  Yeah, still getting that Glidtrack sussed. I&#8217;m looking more for a really subtle effect that adds depth, instead of the constant, glaringly obvious, OOF foreground parallax motion thing. It can get a bit samey, ya&#8217;know?</p>
<p>I transcode all my footage using MPEG Streamclip before I edit, that&#8217;s where it becomes an interlaced stream. Still haven&#8217;t found a way around it. <img src='http://www.highdefedition.com/wp-includes/images/smilies/icon_sad.gif' alt=':(' class='wp-smiley' /> </p>
<p>Christian</p>
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		<title>By: david</title>
		<link>http://www.highdefedition.com/2010/02/riders-on-the-storm-on-the-7d/comment-page-1/#comment-286</link>
		<dc:creator>david</dc:creator>
		<pubDate>Wed, 03 Feb 2010 03:03:11 +0000</pubDate>
		<guid isPermaLink="false">http://www.highdefedition.com/?p=404#comment-286</guid>
		<description>That looks terrific. The glide works really well. Best with that track-in at the start, but not so interesting without foreground, during side-tracks (need paralax changes there).I would love to see that last Timelapse (slo-mo) with frame blending, just to smooth out the waves a bit (to stroby at the moment). Just not sure at what stage streamclip is being employed, is that at the end or a pre-post conversion?</description>
		<content:encoded><![CDATA[<p>That looks terrific. The glide works really well. Best with that track-in at the start, but not so interesting without foreground, during side-tracks (need paralax changes there).I would love to see that last Timelapse (slo-mo) with frame blending, just to smooth out the waves a bit (to stroby at the moment). Just not sure at what stage streamclip is being employed, is that at the end or a pre-post conversion?</p>
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	<item>
		<title>By: Christian</title>
		<link>http://www.highdefedition.com/2010/02/riders-on-the-storm-on-the-7d/comment-page-1/#comment-285</link>
		<dc:creator>Christian</dc:creator>
		<pubDate>Mon, 01 Feb 2010 23:53:27 +0000</pubDate>
		<guid isPermaLink="false">http://www.highdefedition.com/?p=404#comment-285</guid>
		<description>Hey Dan,

Thanks mate! I just did what I usually do - use the default picture profiles in the camera, play with all the settings and whack on filters until it looks like I want it to. Sometimes you win, sometimes you don&#039;t, and there aren&#039;t really any rules that I follow. Experimentation is key!

As far as post, all I did was conform the 60P footage to 25P to get my slow motion and cut it up in Final Cut to music. There was no post colour correction at all on this clip, usually I do a contrast tweak here and there at least, but this time the footage is straight out of the camera. There are a couple of speed change effects in there, but that&#039;s all.

Cheers for the comment mate! :)

Christian</description>
		<content:encoded><![CDATA[<p>Hey Dan,</p>
<p>Thanks mate! I just did what I usually do &#8211; use the default picture profiles in the camera, play with all the settings and whack on filters until it looks like I want it to. Sometimes you win, sometimes you don&#8217;t, and there aren&#8217;t really any rules that I follow. Experimentation is key!</p>
<p>As far as post, all I did was conform the 60P footage to 25P to get my slow motion and cut it up in Final Cut to music. There was no post colour correction at all on this clip, usually I do a contrast tweak here and there at least, but this time the footage is straight out of the camera. There are a couple of speed change effects in there, but that&#8217;s all.</p>
<p>Cheers for the comment mate! <img src='http://www.highdefedition.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
<p>Christian</p>
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	<item>
		<title>By: Dan</title>
		<link>http://www.highdefedition.com/2010/02/riders-on-the-storm-on-the-7d/comment-page-1/#comment-284</link>
		<dc:creator>Dan</dc:creator>
		<pubDate>Mon, 01 Feb 2010 19:02:23 +0000</pubDate>
		<guid isPermaLink="false">http://www.highdefedition.com/?p=404#comment-284</guid>
		<description>Like the video Christian. What profile did you use for the 7D and where can I grab it? :) 
Also, can you give a little walkthrough of the post work you did on this? cheers!</description>
		<content:encoded><![CDATA[<p>Like the video Christian. What profile did you use for the 7D and where can I grab it? <img src='http://www.highdefedition.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /><br />
Also, can you give a little walkthrough of the post work you did on this? cheers!</p>
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